Sep 23, 2013 - The Summit Music Hall
Door Time: 7:00 PM

Day: Monday, September 23, 2013
Door Time: 7:00 PM
Age: All Ages
Advance Ticket Price: $20
Day Of Show Price: $20
Buy Tickets

Between The Buried & Me
  Merging unparalleled musical bravery, prodigious musicianship, flawless execution and an angular landscape of forward thinking ideas, BETWEEN THE BURIED AND ME (aka BTBAM) reinvent the rock 'n roll idiom while pleasing their harshest critics: themselves. Joining metal's dexterity and progressive rock's psychedelic, multi-layered experimentation, BTBAM (whose name was inspired by a line of lyrics from the Counting Crows song "Ghost Train") create spine-tingling sound that contains visceral power, labyrinthine arrangement, mind-boggling melody and majestic beauty. The band has released five full-length LPs since its formation in 2000 including Between the Buried and Me (2002), The Silent Circus (2003), Alaska (2005), Colors (2007) and 2009's critically acclaimed The Great Misdirect, which landed at #36 on the Billboard Top 200 in its first week of release. The group has showcased its live prowess via a slew of world headlining tours and has participated in major touring festivals including Ozzfest and the Radio Rebellion and Progressive Nation tours. Since its inception, BETWEEN THE BURIED AND ME has sold nearly one half million records and proven itself as a progressive rock pacesetter whose modernist clang pegs it as a paradigm to be followed and a yardstick by which other bands are measured.

The next step in BTBAM's musical journey involves a new label home in Metal Blade Records and another trek into boundary and genre defying song-writing that is their new album, The Parallax: Hypersleep Dialogues.

The Parallax: Hypersleep Dialogues serves as the first installment of a two-part story. Hypersleep introduces two human characters who live in different planes of existence, separated by millions of light years. We find that each of them is confronted with similar personal issues that they need to reckon with. Both characters make decisions that will change their lives, and perhaps the course of the universe, forever. The follow up album will pick up the story with our two main characters, with the help of near light speed travel, meeting each other and realizing together their purpose in the universe.

Musically, of course, it sounds like Between the Buried and Me. Hypersleep has elements of aggression, beauty, quirkiness, and pure cacophony. Vocalist Tommy Rogers adds, "For Hypersleep, we establish several themes which I'm sure will be revisited in the next album, which is something we really look forward to. We love to expand on simple ideas and see where they take us."

BETWEEN THE BURIED AND ME features Tommy Rogers (vocals / keyboards), Paul Waggoner (guitar), Dustie Waring (guitar), Blake Richardson (drums / percussion) and Dan Briggs (bass). The band will release The Parallax: Hypersleep Dialogues on April 12th, 2011 via Metal Blade Records. The three-song strong, 30 minute conceptual tour de force was recorded at Canada's Metalworks Studios and Rattlebox Studios and produced / engineered by the Grammy award-winning David Bottrill (Tool, Muse, King Crimson, Dream Theater). The Parallax: Hypersleep Dialogues represents BTBAM's musical and conceptual masterwork, showcasing the quintet's vivid execution and ambitious vision.

http://www.betweentheburiedandme.com/
https://www.facebook.com/BTBAMofficial
http://www.twitter.com/btbamofficial

The Faceless
The FacelessThe Faceless is a technical death metal band from Encino, California who have astonished their live audiences with dizzying guitar work, lightning fast drumming and unmatched brutality. Formed by guitarist Michael Keene and bassist Brandon Giffin, the band quickly found the perfect mix of dedicated musicians to complete the line up.

Currently, the band is in a studio working on their newest album that is set to be released in 2011.
http://www.myspace.com/thefaceless
http://www.facebook.com/thefaceless
https://twitter.com/#!/THEFACELESSband

The Contortionist
The ContortionistBottom heavy open chords that resonate strong enough to shake the core of the earth. Skyrocketing bursts of oscillating guitar leads layer an ominous and dark undercurrent of rhythm. While hardcore punk may be the sound that rules the day in The Contortionist hometown of Indianapolis, it is the band’s signature brand of forward thinking heavy metal that has made them stick out as hometown favorites. The band worked hard to amass a following beyond Indiana though consistent regional shows, coastal touring, and two self-released EPs. They clearly began to define their sound and grow as musicians on their EP titled "Apparition". The songwriting and progression on "Apparition" smacks of a group of musicians who are locked deeply into a remarkable place of expression and creativity that is usually reserved for bands with multiple albums under their belt. While it is not uncommon lately for bands in the world of metal to experiment with melody and progression, many times these breaks from the brutal end up sounding forced, too contrived, or way too over the top in shred. What could have been an opportunity for the listener to settle into some depth, winds up missing the mark. When The Contortionist venture into the realm of ambiance it actually raises the level of the song above the crushing breakdowns and demands the listener stay put for the ride. More impressive than their ability to write and record such material, is how big it all plays live. The room seems to expand and fill with spacious tones just in time to be leveled with ferocity. The band is razor sharp while nailing every bit of nuance their ambitious songwriting offers. It is this ability to dole out their sounds in epic proportions through a live performance that piqued the interest of record label Good Fight Music. The band had already distinguished themselves to Good Fight with a penchant for creating a distinct style of heavy music that has plenty of room for the listener to breathe and settle into. So in early 2010, shortly after the staff had caught them live, a deal had become imminent.

With the label now in place, The Contortionist recently spent time in the studio with Unearth's own Ken Susi handling production duties. When asked what interested him about working with The Contortionist, Ken commented - "The Contortionist is not your typical run of the mill band. Lots of bands in this day in age are copycats or just plain old rip offs of other bands that are currently out now. This is truly an original band, from the overall look, sound and structure of the songs. I really feel this band has a bright future ahead of them!" The Contortionist brand new album, titled “Exoplanet”, is a progressive metal mammoth. What stands out about the song structures is the bursts of space and atmosphere underscored by intense sonic emotion and boldness. A welcomed subtlety to the evolution of the band’s sound from previous works is a sparse use of ominous sci-fi inspired clean vocals. For every bit of progression and aura the band offers up on Exoplanet, comes an equal and unforgiving onslaught of heaviness. Just when heavy metal had seemed to reach a ceiling on how punishing a sound could get, The Contortionist raised the bar even higher. Exoplanet will be out in stores on August 31, 2010.
www.myspace.com/thecontortionistband
www.facebook.com/thecontortionist

The Safety Fire
The Safety FireFormed in London in 2006, The Safety Fire has always pushed the boundaries of technical, progressive metal since their inception. With their expansive atmospheres and soaring melodies, it’s easy to see why vocalist Sean McWeeney, bassist Lori Peri, drummer Calvin Smith, and guitarists Derya Nagle and Joaquin Ardiles are now at the forefront of their ever-growing genre.

The Safety Fire first made a name for themselves in the UK scene with the release of their critically acclaimed EP "Sections" in 2009 and their reputation as a powerfully energetic live band. They have toured extensively across the UK with bands such as Malefice, The Arusha Accord, Anterior, and Xerath, as well as progressive metal titans Periphery and Monuments most recently throughout Europe. The Safety Fire also appeared at the renowned Sonisphere Festival in 2011 alongside Metallica, Slipknot, Mastodon, and The Mars Volta, proving to the metal community that they can hold their own amongst the likes of such music legends.
http://www.myspace.com/thesafetyfire